Band Profile

These biographies are provided by Gill (Magic Arts) and Rob Caiger of FTM.

'Basher' Bevan
Bev Bevan: Drums, percussion and the occasional "Strange Magic" backing vocal. (Song writer)

Bev Bevan, born November 25th 1946, is the founding member and driving force behind Electric Light Orchestra Part II. As a teenager, the sound and image of rock’n’roll provoked the rebel within him to buy a drum kit, and Bev formed his first band while still at school. Progressing with varied levels of success through Birmingham bands, Carl Wayne and the Vikings, and Denny Laine and the Diplomats, he eventually joined The Move at their inception in 1966.

Propelled by the creative genius of Roy Wood and later with Jeff Lynne, The Move were innovators of "perfect pop with an attitude", blazing their way around the gig circuit and taking no less than ten heady trips up the UK singles chart.

In late 1970, Bev, Roy and Jeff launched a new band, the Electric Light Orchestra. Although immediate success was gained with their opening single 10538 Overture, it took time for the complicated musical line-up of ELO to find its feet. However, with the help of Bev’s tenacity, ambition, and of course his distinctive style of powerhouse drumming, ELO thrived as one of the world’s greatest bands throughout the 70’s and 80’s, collecting copious amounts of gold and platinum discs. 

In addition to his triumphant career with the band, Bev branched out, publishing a witty and incisive book The ELO Story, accounting his life as a rock musician and recording a thunderous version of the early 60’s classic Let There Be Drums. He played and sang on the hit single Funky Moped by lifelong friend Jasper Carrott.

He has also recorded with Ian Gillan, Black Sabbath and fellow band member Kelly Groucutt. Over the years and on the live front, Bev has also played with Bobby Womack, Beverly Craven, Jools Holland, Rick Astley, Phil Lynott and Lisa Stansfield.

A
s ELO retreated further into the studio, Bev’s thirst for live work was quenched by the invitation to tour with one of heavy rock’s most famous exponents, Black Sabbath, with whom he played many dates in the US and Europe and topped the bill at the 1984 Reading Festival.

In 1986, Bev organised one of the decade’s most memorable charity concerts, Heartbeat, at the NEC. As well as featuring some of rock’s biggest names, it was part of ELO’s farewell tour and earned Bev the Birmingham Mail’s Pop Personality of the Year Award.

The 90’s have seen Bev diversify further, joining Black Sabbath guitarist Tony Iommi in Jasper Carrott’s eloquently named rock’n’roll combo, Belch! Bev has just finished work on Tony Iommi’s forthcoming solo album.

The new band’s formation was inspired by Bev, who began proceedings in 1988. It took almost three years of careful planning before the band was revealed to the world with a fanfare and flourish in 1991. It was Bev who was inspired to use the magnificent Moscow Symphony Orchestra on the band’s trailblazing tour, and his pride in taking part in this spectacle was clear.

Since then, Bev and the band have worked tremendously hard and performed over 400 concerts worldwide. Recent years have seen Bev develop his abilities as a lyricist, and he is responsible for many of the lyrics on the band’s albums. Although he is well known for his multi-tracked studio techniques, the allure of the concert arena and the exhilaration of live performing have always been Bev’s greatest incitement.

copyright: Gill (MagicArts) & Rob Caiger (FTM).

Bad hair day!
Kelly Groucutt: Bass and acoustic guitars, 
lead and backing vocals. (Song writer)

Kelly Groucutt was a mainstay of the ELO sound from 1974 onwards, helping to provide the distinctive layers of vocal harmony on albums from Face The Music to Secret Messages, and contributing hugely to the band’s live presentation. He was an obvious choice for bass guitar and for one of the primary lead vocalists when ELO Part II took their inaugural show on the road.

Kelly, born Michael on September 8th 1945, is from Coseley in the West Midlands. He began his career as a singer in the early 60’s and graduated through several bands, including the highly acclaimed vocal harmony/comedy group Sight and Sound. His musical influences are rooted in the rock’n’roll of the 50’s and pop of the early 60’s, with particular fondness for Roy Orbison, the Everly Brothers, Johnny Ray, and inevitably, The Beatles.

Kelly was invited to join ELO in 1974 and his impact on ELO’s sound was immeasurable. His voice blended perfectly with Jeff Lynne’s to create luscious harmonies and his bass playing fused with Bev Bevan’s drum style to form a tightly knit rhythm section. Even on record, Kelly’s warmth and presence radiated, while his vocal agility during their extensive world tours proved both magnificent and indispensable.
Kelly found another outlet for his talents by releasing a self-titled solo album in 1982, with help from Bev Bevan, Louis Clark, Mik Kaminski and Richard Tandy. He continued a solo career after leaving ELO until 1987, when he formed OrKestra with Mik Kaminski. Pooling their years of experience and extraordinary combination of talents, Kelly and Mik picked up where ELO’s finest chords had echoed away, recreating an Out of the Blue sound which also had room for their own new compositions.

Enormously successful as a live band, OrKestra toured Britain and America, recording two well-received albums and several songs for film soundtracks, while the single Fly Away was a top ten hit in Europe.

Kelly is now a key figure in ELO Part II’s songwriting team, inspiring new material while maintaining an understanding of the ELO songs and their original intentions which probably equals that of their author. As lead vocalist on many of these numbers, he is able to express their melodies and meanings through his own strong personality, yet never intrudes upon their delicate structure.

Due to popular demand, Kelly’s solo album will be released on CD for the first time and will include brand new tracks, recorded with his son and fellow musician, Kit. Collaborations with other artists as well as working on new solo material is also planned.
copyright: Gill (MagicArts) & Rob Caiger (FTM).


Mik Kaminski: Violin (a blue one!)

If ever a single aural and visual aspect had to be chosen to represent ELO and its incarnations, Mik Kaminski and his Blue Violin would be a major contender. Mik’s scintillating exhibitions of showmanship are as much a symbol of the band as the mighty spaceship and the glowing light bulb. Offstage, however, Mik has always been a shy and modest character. So much so that he had to be persuaded to take the audition for ELO back in 1973.

Born in Yorkshire on September 2nd 1951, Mik studied at Leeds College of Music and first appeared professionally at the age of 14, in a classical role with the city’s orchestra. After session work on early 70’s cult rock albums by Andy Roberts and Joe Soap, Mik became a member of ELO, introducing his sparkling skills to the band’s developing sound. Mik’s soaring strings sweetened every ensuing ELO album, while his violin solos became a highlight of all live shows, exposing a rock audience to tantalising trips through classical tunes infiltrated by his own complex improvisations.

In 1979, Mik formed Violinski, a band which ran simultaneously with ELO, releasing two albums and enjoying an enormous hit with one of pop’s great instrumental singles, Clog Dance, furthering Mik’s reputation as a fine exponent of violin virtuosity. He was also able to express his talents as a keyboard player during ELO’s "Time" Tour, in which the accent turned away from strings towards the contemporary synthesiser sound.
A couple of years after Mik had taken part in ELO’s final shows, he and Kelly Groucutt took the basic essence of their former band to put together a new ensemble, OrKestra. The band gave Mik another platform upon which to shine, where his compositional work could flourish. Two superbly crafted albums, a top ten European hit single, Flyaway, and successful tours of the UK and US were all a part of OrKestra's worthy career.

When the new band was formed in 1991, Mik’s presence, particularly for the live shows, was unquestionable. The spectacle of his stage performance threatened to overshadow Mik’s songwriting skills. However, these skills are there for all to hear on the band’s latest album, One Night — Mik Kaminski’s ear for inventive tunes and intertwining counter-melodies is clear in the music of every band in which he has been involved.

When time from ELO Part II allows, Mik is working on his first solo album, Rhapsody In Blues, with ex-ELO Part II’er Phil Bates and keyboard wizard Don Airey among the collaborators.
copyright: Gill (MagicArts) & Rob Caiger (FTM).

and with this magic wand...
Sir Louis Clark: Orchestral keyboards, conductor (not of the bus variety!) and string arranger magnifique.  

The man who proves that you don't need a 45 piece symphony orchestra up your sleeve when you've got him in your lineup on the orchestral keyboards!

Louis Clark is the man behind the majestic ELO string arrangements throughout their most prosperous years. He has also enjoyed enormous success in a separate career, selling millions of recordings of the Hooked on Classics series with the Royal Philharmonic Orchestra. A talented and skilled arranger, Louis is much in demand all over the world, working with artists ranging from Ozzy Osbourne to Roy Orbison and scoring orchestral arrangements of music by Abba, The Beatles, Queen and Phil Collins. 

His work crosses all musical boundaries and he is equally at ease with the classics as with pop and the heavier side of rock. Through his arranging work, Louis has opened up many areas to audiences who may have otherwise spent a lifetime stranded on a musical desert island!

Born in Bedford in 1947 but moved to Bridgnorth in Shropshire, Louis had an early interest in music, taking lessons as a child. His imagination was ultimately captured by The Beatles, and as a teenager, Louis joined the Birmingham-based Raymond Froggatt Band as bass player, recording two albums and ten singles in the late 60’s. During this time, the band’s need for a string arranger led Louis to learn the art literally "by the book". As his interest in this aspect of music developed, he enrolled at the Leeds College of Music, in a course studying arrangement and composition, along with flute and keyboards.

His studies completed, Louis returned to Birmingham, working again with Raymond Froggatt, where he met Jeff Lynne. Jeff was experimenting with ideas for the next ELO album and invited contributions from Louis, who went on to co-arrange the score and conduct a full orchestra on the 1974 album Eldorado.

T
his collaboration marked the beginning of massive global success for ELO, with Lou’s keen sense of sweeping strings integrating perfectly with Jeff’s melodic, often soulful, guitar-driven pop songs. Louis input to ELO’s sound was absolutely crucial and was the hallmark of the band’s biggest selling albums.

Throughout the 70’s, Louis Clark was never listed as a touring member of ELO, but this changed in 1981 when he joined for live touring work on string synthesiser. It was around the same time that his remarkable run of classical/pop album successes began, and he has since travelled far and wide conducting live concerts of this material. 1998 will see him playing stadium-sized shows in South America conducting his arrangements of the ever-popular music of Queen, as well as sell out shows at the Royal Festival Hall and Kenwood in London.

When ELO Part II was formed, Louis was first choice for orchestral arranger and string synthesiser player at their concerts. Louis also conducted the magnificent Moscow Symphony Orchestra on that first tour. His involvement with the One Night – Live In Australia album, recorded with the Sydney Symphony Orchestra, once again demonstrates his immeasurable contributions to the band. Louis’ string arrangements blend seamlessly with the other members’ songs, adding a rare dynamism, while his own orchestral compositions are dramatically atmospheric. Now famed for his approach to live keyboard work, "Sir" Lou’s dramatic visual persona pales in comparison to his vivid impact on the band’s sound!

copyright: Gill (MagicArts) & Rob Caiger (FTM).

Silence Of The Lambchops
Eric Troyer: Keyboards, guitar, lead and backing vocals. (Song writer)

Eric Troyer is one of ELO PART II’s founding members. He met Bev Bevan in April 1989 when he was invited to join the project as a writer, singer and keyboard player. Eric’s immediate influence on the band’s sound can be heard on their 1991 album, upon which he sang lead and harmony vocals and was responsible for writing several tracks, including the single Honest Men. His contribution to the latest album, One Night – Live In Australia, is also of great significance as a performer, solo writer, and on collaborations with fellow band members.

Eric, a native of Elkhart, Indiana, was born on April 10th 1949. He enjoyed a childhood rich in musical variety, embracing folk, classical and religious music, Broadway shows, and rock’n’roll, developing a particular love of British groups of the 60’s. Following his college days in Indiana and California, Eric travelled east to New York City, where he gravitated towards the music business and eventually earned a reputation as one of the most sought-after session musicians around.

A friendship with leading producer Jim Steinman led to prodigious amounts of work, not only on Steinman’s own recordings, but also on many of the world’s biggest selling singles and albums. Eric’s talents are illustrated on records by John Lennon, Bonnie Tyler, James Taylor, Carly Simon, Julian Lennon, The Sisters of Mercy, Billy Joel and Celine Dion.
The first voice heard on Joel’s no.1 single Uptown Girl, is none other than Eric! Meat Loaf has featured Eric on albums including the chart topper Bat out of Hell II — Back Into Hell, while also using his vocal skills on tour.

In the mid 70s, Eric had a single released in the US and Australia called Mirage, which obtained substantial radio play and was a minor hit in both countries. An interest in history and current affairs shines through on Eric’s solo CD Model Citizen, where his intelligent lyrics are deep and incisive but also reveal a man with a sharp sense of humour. He has also produced CDs for many up and coming New York bands, some of which are featured on a promotional sampler called American Independence.

Eric’s concern for his fellow man was clearly illustrated by his songwriting involvement in Perpetual Light, a single released in memory of 12 schoolchildren tragically killed in a UK road accident. He is currently working alongside David Shapiro in Shapiro/Troyer Music, based in New York, and specialising in jingles, stock music and theme music for TV, films and radio worldwide.

All this and Eric still finds the energy to be a full-time member of ELO Part II, making records and touring the world. Emerging from his shadowy bank of keyboards, Eric now leaps into the spotlight playing his "walkabout" keyboard, enabling him to join the band’s fine front line of musicians.
copyright: Gill (MagicArts) & Rob Caiger (FTM).


Parthenon Huxley (Rick Miller): Lead and acoustic guitars, lead and backing vocals. (Song writer & producer)

Parthenon Huxley is the newest member of the band, joining after extensive auditions held towards the end of 1998. He replaced Phil Bates who left the band to concentrate on a solo career and spend more time with his family.
Under Construction.
I'll post the rest of Parth's biography once it is completed.

Until then, I highly recommend that you get hold of a copy of his latest recording entitled 'Deluxe' which was released by TWA Records here in Australia. It can be bought via their web site and at some stage I will attempt to review it.
He will indeed bring a whole new angle to the Part II sound, and it is to be hoped that they record a new studio album sometime this year.



'Deluxe' by P. Hux
TWA Records 9502-2 (Australia 1997)
All songs written & produced by Parthenon Huxley. Arranged by Huxley, Townsend & Miller.


Parthenon Huxley: Guitar & Vocals

Gordon Townsend: Drums & Vocals
Rob Miller: Bass & Vocals


Track Listing
:

One More Day In The Life
Simple Things
California
Keep From Crying
Every Minute
It'll Be Alright
Here Comes The Saviour
So Good
Live Like A King
Playing Her Guitar
Stay Where You Are

copyright: Ken Greenwell.

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