| Additional
Pieces for Recorder |
| Aerophones are
classified as those instruments that produce a sound without physically
altering their form |
| 'African
Dawn'
is a song inspired by my time living in East Africa. |
African Music
and Dance
This is, of course,
a
vast area to
research. This website
about African Music should be extremely helpful. There are many
websites dedicated to downloads of .mp3 files of African Music. Search
for ‘Jambo’, ‘Malaika’, ‘Awe
Somagwaza’ for a start. These songs come with lyrics and are easy
to learn from the audio file. No doubt many of your students will
recognise some. Student groups might select three or four songs they
have downloaded to learn, rehearse and then present them together with
a brief illustrated documentary about the music. More ambitiously this
could be transformed into video format or a powerpoint presentation.
|
Afro-American Music
The
impact of the forced migration of Africans to the Americas across
generations continues to be felt today, particularly in contemporary
music. A survey of Afro- American music
could lead to a performance presentation of music that has its roots in
Africa. This could include authentic African songs and instrumental
pieces – often pentatonic, spirituals, 12 bar blues (a great
opportunity to find out how ‘form’ – the plan of a
piece – enhances our
enjoyment), jazz, reggae, rap, and almost all modern commercial music
around the world! |
| An Arabian Diva -
an outline |
| Angklung - an
outline |
Angklung
and other Bamboo Instruments
A survey of these tuned bamboo instruments
of western Indonesia should prove a surprise not only in its abundance
but in the ease with which these instruments can be played. Angklung
belong to the family of ‘rattles’ called idiophones. |
| Another Island |
| Aura Lee |
Australian
Composers
In all probability few
of your students will be aware that Australia has a long history of
quite significant composers
in the Western ‘classical’ tradition. Among the most famous
are Percy
Grainger who founded the world wide International Society for Music
Education (ISME) and wrote a large repertoire of extremely approachable
pieces of music. There are several women composers. A search of the
internet for more will probably surprise students. Perhaps the most
famous of our living composers is Peter Sculthorpe. This is a subject
well worth investigating. Several modern composers write for middle
years students. |
Australian
Idol
While I recognise that
TV programs such as 'Australian Idol'
(based on its American counterpart) are not everybody’s
favourites,
many of your students will be 'expert' in this area. Almost certainly
they will know somebody who has auditioned and may even know one of the
finalists. This could prove a winning project for a group of students,
who might present recordings of songs presented in the program, provide
some invaluable background about the musical histories of participants
and so on. There are unlimited possibilities here, particularly if the
program is current at the time of the project. |
| Bahasa
Indonesian Language
& Music |
| Balinese
Kecak |
| Bamboo Shakers |
BAND IN
THE CLASSROOM, Suggestions for...
|
| 'Bazza' - the song |
Beatles,
The
I suggest the
Beatles
as a project focus because, while students will tell us they’re
ancient, their arrival and ensuing evolution as a group of musicians
had an enormous impact on the development of many areas of music. OF
particular interest is their modal ‘Yesterday’. This is
well worth
learning along perhaps with John Lennon’s ‘Imagine’.
Reading and
interpreting the latter is almost a project on its own!
Other
possibilities for investigation in a similar light must include Bob
Dylan, Pink Floyd, Queen and groups you may well identify with as
influential. The projects could take a number of approaches –
students
could learn songs, chord progressions, look at world events across the
period of time when these musicians were operating at strength. A focus
question might be ‘How did ...... influence the musicians and the
music
that followed?’ Any amount of resource material will be
accessible, of
course! |
Beethoven; his
life and music
The
distance between Beethoven and the Beatles is less than we think. The
Beatles even produced a cover version of ‘Roll Over,
Beethoven.’
Comparing and contrasting these musicians is probably beyond the
challenges we ought to set students but somebody keen might decide to
try. There are two instrumental works for classroom band on the CD that
students might like to learn, the ubiquitous, ‘Fur
Elise’ and the theme (which Beethoven borrowed from
elsewhere) to the Choral Symphony, ‘Ode to Joy’.
These could be rehearsed and performed together with some research into
their backgrounds. Who was ‘Elise’? Why is ‘Ode to
Joy’ titled as such
and what are its origins? |
| Bees' Knees, the': Music for beginner classroom band |
| 'Beguiled' Music for student-inspired lyrics about 'Feelings' |
| 'Bendrong': Lancaran (music) for traditional Javanese Gamelan - arranged for classroom tuned percussion |
| 'Born to Blush Unseen' Original lyrics and music based on Gray's 'Elegy Written in a Country Churchyard. Unrecognised talents! |
| Boys
and Music - an Outline |
| Boys' Business |
| 'Brain Functions': a song for teachers and parents about how the teenage brain functions! |
| 'Breezing Along' for recorder |
Careers in Music
Students
are probably unaware that the Music Industry in Australia – and
almost
certainly in New Zealand, given the significant numbers of its
musicians who often live and work in Australia - is perhaps one of our
largest employers. For students contemplating a career in music a
project focussed on learning as much about the huge range of
occupations that are music based could be extremely useful beyond its
classroom life. Your school’s Careers Adviser (assuming you have
one)
ought to be a helpful and supportive resource person.
|
Carl Orff and
'Carmina Burana'
Carl Orff is probably
best known for his highly emotive, evocative percussive setting of the
Medieval ‘Carmina Burana’.
However he is also recognised among music educators as the innovative
creator of the music learning system Orff-Schulwerk. A project based on
some of the musical excerpts from ‘Carmina Burana’ would,
on its own,
have exciting potential with opportunity to learn and perform some of
the more accessible music. However interested students might also
produce a multi-media project which surveys contemporary Orff-Schulwerk
activity. There are OS sites in Australia and New Zealand and
unconsciously or consciously many of us will have use OS based music
activities in our classrooms. My ‘Bazza’ is one such
item. |
| Catch
Sticks |
| Chants - an Outline |
Chants,
Rap and Related Musical Types
This
is guaranteed to grab the attention of some of your more
‘street-wise
students. While the project may need a little supervision to ensure
that it remains at least ‘PG’ rated, there is an unlimited
resource in
rappers alone and many students will be able to list and name these.
There will always be at least one who can improvise his or her own rap.
This project might easily incorporated associated street art, graffiti,
with discussion about tags – no reasons why the concerns of
property
owners couldn’t be voiced. Students armed with digital recorders
and
cameras might well visit skate parks and other sites to collect their
own resources. There are several chants (eg 'Iron
John')at the site and opportunities for students to create
their own original works. |
Church
Music
There
was a time
in the history of Western Music when the church controlled the
evolution of musical styles. This might be the subject of a project. A
student group might examine the influences of missionaries on music in
Oceanic or even Indigenous Australian communities where this promoted
particularly powerful change in the way music is performed. In some churches music is
highly valued and an
important part of ritual; in others it may even be banned. Why might
these two highly contrasted situations have arisen? Here is an
opportunity to survey Church music in a whole variety of settings, in
Medieval Plainsong,
in 19th Century Protestant Hymns, or in the
Marching band
music of Afro America that played a significant part in the origins of
Jazz. |
Classifying
Musical
Instruments
How
musical
instruments are grouped and categorised depends on the criteria for
doing so. Typically most of us learned that Western musical instruments
fitted into one of four primary categories, Woodwind, Brass, Strings
and Percussion. This is all very well but in reality only suits
instruments of the Western Symphony Orchestra and even then it is an
unsatisfactory way of listing musical instruments. For example, because
it plays in the woodwind section of the orchestra the French Horn, a
brass instrument, is often conveniently located in the Woodwind
section. Pianos may be listed with the strings but they
combine
percussive hammers with strings so, like the saxophone, a hybrid of
Woodwind and Brass, they are also hybrid.
A
more
satisfactory classification is probably the musicological one
presented here that
identifies families of instruments by the manner in which they produce
sound.
A
variety of projects suggest themselves. Students might investigate
members of a particular family of instruments and run a presentation
where others can see and hear these played. This could be a live
performance or a multi media presentation. Students might survey the
instruments performed in the music of another culture and present a
see-and-hear project.
|
| Classroom Bands |
| Classroom
Instruments |
| Classroom
Instruments - management |
| 'Come to Bali' |
Computers and
Music
You
may well find
some of your students are already more expert in the field of computer
music-making than you or I! Computers are ideal music makers, great for
creating, recording and playing recorded music, for setting up music
studios and for manipulating the finished product. Integrated
with
other computer applications there are no limits to what they may
produce. Projects arising from this focus might well continue for
sustained periods of time. Students could be invited to create, record
and refine their own computer generated music items, without
necessarily having indepth musical skills and understandings. Check out
some of the programs
that can be freely accessed on the internet to
support these projects. |
| Cordophones |
| Creating |
| 'Creativity' - a song |
| Cumulative
Songs - an Outline |
| Dance &
Music - an Outline |
| Davy Jones' Locker |
| Divas. Prima Donnas and other
soloists |
| Double
Bass & Bass Guitar |
Early European Music
Understanding
our musical heritage ought to enhance our appreciation of not only
music of previous historical periods but also within our own times. In
an increasingly merged musical culture European music history still has
a place. There’s no need for ‘history’ to be dry,
boring and meaningless. Using existing and new technologies and turning
process into product – particularly an interactive live
performance – supports lifelong learning and retention. Why not
start with the itinerant music of ‘wandering minstrels’ ,
troubadours and the likes. The stories of those times might be drawn
from ‘Robin Hood’, and the minstrel song taken from the
‘Mikado’ (yes, Japanese, I know, but the minstrel’s
song could belong to almost any historical context). The Crusades and
Richard the Lionheart’s capture and ransom might also feature.
Consider plainsong
and the role of the Church of the times in the evolution of new music. |
| Early
Music |
| Echo Songs - an Outline |
Echo
Songs,
Call-and-Response and Antiphonal Music
Echo or
'Call-and-Response Songs may belong to one of the most ancient of
musical genres. Think about the educative power of a song where the
leader provides the lyrics. Students could check out echo songs on this
website (‘Tell
you what went
down this morning’, ‘Too Many
Questions’, ‘Whatcha Gonna Do Today?’)
and
share others they already know. The ABC Song Books have several
including ‘Hello, Baby!’ Survey Call-and-Response as a
musical device in Religious settings – many religions depend on
the form in their rituals. A performance of songs in this genre –
particularly a few ‘home-made’ ones – should go down
well with an active audience. |
Electronic
Music
From the
first simple experiments by composers in the twentieth century to the
present plethora of electronically driven music this has been a
fascinating and relatively new development. What does electronic music
allow musicians to access that couldn’t be accessed prior to its
appearance? What do we actually mean when we talk about music that is
‘electronic’? There are limitless possibilities with this
theme. |
| Electrophones |
Enjoying
Music
You may well have
students who enjoy
finding out how our minds work. A focus such as this could well
interest them. What is it about music that we enjoy? Why? What goes on
in our brains when we listen to and respond to music? Students could
talk to people who work in the fields of psychology and psychiatry.
They could interview each other, and musicians to seek solutions to
these questions. |
European
Music and Dance
Doubtless
in this day and age you’ll have a classroom peopled by students
from many different national backgrounds. Sharing and talking about
their music and dance has many positive social, aesthetic and
informational positives. In this instance encouraging children who are
conscious of their own recent European background to talk about it and
share music with others should support acceptance of who and what they
are. Again live performance is the best means of doing this but
recorded audio and video playback of music and dance is perfectly
acceptable. |