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Café Concertino
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Café Concertino
flute, clarinet, violin, viola, cello, piano
1.0.1.0-0.0.0.0- pf, cel, 1.1.1.0
duration 11:00  © 1984 Chester Music
Performed by the Australia Ensemble on the Tall Poppies CD Café Concertino
Performed by the Australia Ensemble on the Tall Poppies CD Carl Vine: Chamber Music Volume 1

sample performed by The Australia Ensemble
on iTunes: [1] [2]
Buy a copy of the score
Also see: Chamber Music  
Program Note:

Special note: Performance parts for Café Concertino are now available for sale. Order on-line here.

Café Concertino revolves around a simple cycle of fifths. Although in a single movement, the work contains four distinct sections. The first interprets the series C-G-D-A-E-B as a C major tonality, and the following series (F#-C#-G#-D#-A#-E#) as an F# major tonality. The complementary series of [Eb-Bb-F-C-G-D] and [A-E-B-F#-C#-G#] give the remaining tonal centres of A and Eb major respectively. This approach to fifths and the consequent tritones (C-F#, Eb-A) continues through each section, with an emphasis on creating tonal ambiguity through chord inversion and octave doubling. The tonal "centre" of the second section is A, while in the third F# major and Eb minor are visited alternately. The final section is a recapitulation centring on the tritone and its derivation from the cycle of fifths.

Although overtly academic in structure, Café Concertino gleans much of its gestural material from chamber music of the last century, not always with due reverence.

Café Concertino was commissioned by the Australia Ensemble with assistance from the Music Board of the Australia Council. It was first performed by the Australia Ensemble at the Queen Elizabeth Hall, London, on the 16th November, 1984.

Review:
Accessibility and openness are important qualities in the music of Carl Vine. A young Australian with roots in a musical culture now firmly established on its own terms, he feels free to look both East and West for inspiration. Earlier scores like Café Concertino recall without irony the joie de vivre of Les Six, and find common ground with the modern styles of American minimalism.
[Nicholas Williams, Classic CD, Oct 1994]

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