The following description is concerned with my last construction
of a Fremodyne. I decided on
the simpler two RFC circuit as per the "Meck" as experience showed that there was no difference in performance between it and the three RFC circuit. An audio amplifier was included to form a mantel style FM receiver.
A simple plywood cabinet was constructed for the Fremodyne and its 8" speaker.
The circuit of my Fremodyne; click here for larger view.
The chassis was made from aluminium; its dimensions being 200 x 110
diagram shows the component layout of the Fremodyne portion of
As can be seen there is not much to it. Construction is basically a matter of connecting the
components correctly, keeping in mind the necessity of keeping leads straight and short in the
VHF portions of the circuit. It is also adviseable to use thick (eg. 18 or 20SWG) tinned copper
wire for connecting between points due to skin effect. That is, at VHF and higher, current flows
on the outside of conductors. Likewise it is necessary to have a good groundplane. The 12AT7
pin connections assist with layout as the oscillator can be confined to one side of the valve
socket and the super regenerator to the other, with the heater and earth connections in between.
The centre sheild of the socket should be earthed, and as for the socket itself, a teflon or ceramic
one should be used if available, but a bakelite or wafer type seems to work just as so long as it is clean and not leaky. If the socket used is second hand, it would be worthwhile cleaning away the old flux with metho.
With a circuit of this type there will always be the question of parts. Fortunately there are
always alternatives and it would be possible to build the receiver with all new parts. The audio
amplifer and power supply are the easiest sections to deal with first as they offer the greatest
My audio stage is unconventional in that a 6AW8 is used with the output pentode triode
connected. The pentode of the 6AW8 was designed for video output and although I've never seen data for audio output use, it does work well as a low power output stage. Incidentally, the European version of the 6AW8 , the 6DX8/ECL84
does have ratings for audio output use and performs like it, but it requires more heater current (720mA)
than was available. The triode connection was necessary as I used a Jaycar MM1900 PA line transformer as the output transformer. Although the impedance ratio is ideal for this application, the inductance is lower than desired. When used as a pentode output transformer, the sound is shrill and trebly. The output stage is also unstable. Triode connected, all is well. Although triodes in output stages have lower sensitivity and power output than pentodes, for this application the performance is perfectly adequate.
I imagine the reader would use something more conventional such as 6AV6, 6AQ5 or 6J7, 6V6
type of circuit as per a typical mantel set or radiogram.
I have included a circuit using a 6BM8 for those who want to use a more easily obtainable valve. It is a well tried circuit in many of my
projects, but the M1100 PA line transformer specified is no longer available. Dick Smith used to sell these and they made a good output transformer. Unfortunately, the Jaycar MM1900, while it has the same impedance ratio, is not directly suitable. Evidently, there has been cost cutting and the MM1900 has poorer quality steel for the laminations, and/or insufficient inductance in the primary winding.
You can try an MM1900 as per the circuit (ultra linear mode), but if there's excessive treble you will need to connect the 6BM8 pentode as a triode. To do this, remove the 2.2K screen resistor, and connect the screen to the plate. The MM1900 only has an 8R secondary and it will be necessary to phase the windings correctly or the amplifier will oscillate. If you have a proper valve output transformer, then a pentode connection can be used. In this case, connect the screen to the B+ via the 2.2K resistor. If you have a square wave audio oscillator and oscilloscope, you can also optimise the feedback circuit. Feed a square wave in to the input and try different values of capacitor across the 4.7K feedback resistor. The value will be around 1000pF. Use the lowest value that removes the spikes from the square wave as viewed on the secondary when loaded by an 8R resistor.
Of course, one can save time and parts by using an existing set with P.U terminals, or
as stated erlier, high impedance headphones.
The power supply will be largely dictated by the audio stage as the Fremodyne itself only
requires 100V at about 4mA. Again, any standard type radio power supply can be used as a
basis. Some radiograms even have a socket to deliver B+ to an FM tuner which could be used
via a suitable resistor to provide power with the P.U terminals providing the audio stages. To
cater for those who don't have any valve power transformers, back to back transformers can be
used as shown here.
It will be necessary to check the supply voltages and adjust the filter
resistors accordingly with the particular power supply used. It is easiest to adjust the main filter
resistor first to get the audio stages working correctly, then adjust the second filter resistor so the
Fremodyne is supplied with 100V.
Now to the actual receiving part. The IF coil is not critical. Something with a former around 1/4" diameter with a ferrite core suitable for 30Mc/s operation is required. I have used a modern
Neosid 5mm former and slug with complete success. It may be possible to use a slug tuned
455Kc/s transformer but any ferrite cups or rings will need to be removed. For the 5mm or 1/4"
formers, 12 turns of 36 B&S enamelled copper wire is wound on. As there is only one winding it is easy to alter the number of turns if resonance if the IF cannot be obtained. As for the RF
chokes, all three of them consist of 100-120T of 32 B&S E.C.W on a 5/16" former such as part of a ball point pen casing, a Rawl plug, or a high value (>100K) carbon resistor. For those who
don't like winding coils, it is possible to use commercially available 15uH chokes. The value of
inductance calculated from the choke dimensions turned out to be very close to their measure
value and operation of the prewound chokes has been confirmed in practice. A receiver
constructed with these minature RFC's is also a lot neater.
Next we come to the aerial and oscillator coils. They are both 7mm inside diameter, wound
with 3.5 turns and 3 turns of 18 B&S tinned copper wire, for the aerial and oscillator coils
respectively. The trimmers across the two coils should have a cpacitiance range in the region of
2-20pF and are only necessary if not provided for on the tuning gang, which incidentally is likely
to be the most obscure item. It is a dual gang unit with a capacitance range of 2-15pF. Higher
capacitance values are useable but will give a greater tuning range. The gang in my latest
receiver was obtained at a HRSA meeting but there are several other solutions to obtaining this
item. One can take the approach of using separate single tuning condensers as per 1920's
technology. A pair of reaction condensers would be a good start but the capacitance is likely to
be around 100pF and therefore series condensers [ try 33pf] will be required to prevent the FM band being crowded together at one end of the tuning range. One butcherous method used in some home made post war sets for VHF reception was to remove plates from a standard broadcast gang. Typically two or three plates would be left on the rotor section. It is not something I recommend these days with vintage components. I have also used with success a modern plastic unit for replacement in AM/FM radios. The FM sections are about 20pF and have trimmers. These units require an extension shaft to allow use of a normal 1/4" knob. This consists of a piece of pot shaft with a 2.5mm screw through the middle attached to the tuner shaft. Panel mounting is by two short 2.5mm screws and care must be taken not to let them protrude inside the case and damage the plates.
Having assembled the receiver it should be turned on and adjustments made to the power
supply voltages if necessary, ensuring the Fremodyne part has 100-110V. A rushing sound
should be audible at this stage to indicate the super regenerator is working. The next step is
alignment, which is done the same way as with any other superhet. First, feed an AM signal of
21.75Mc/s into the aerial terminals and adjust the IF coil for a peak in signal, reducing the signal
generator output as necessary. If the coil won't peak at 21.75Mc/s this would indicate that turns
would have to be added or subtracted from the IF coil. If the coil peakes up at a higher frequency
it has insufficient turns and vice versa.
The local oscillator is aligned next. By means of the local oscillator trimmer at the high end of
the band (108Mc/s) and by contracting or expanding the turns spacing of the oscillator coil at the
88Mc/s end of the band, ensure that the reciever will tune from 88-108Mc/s. Again, turns may
need to be added or subtracted if there is not enough adjustment available.
Finally the aerial coil is set up. With the receiver and signal generator on 88Mc/s, expand or
contract the aerial coil for maximum sensitivity. Tune to 108Mc/s and use the aerial trimmer to
peak up for sensitivity again. Both the oscillator and aerial stages should be aligned once more
due to interactive effects. Note that the aerial tuning is very broad and adjustment is not critical.
In fact, one version of the Fremodyne eliminated the tuning circuit altogether, but this resulted in
poor image rejection.
For those without a signal generator, adjustment is still possible. Tune a shortwave receiver to
21.75Mc/s and place it near the Fremodyne. Adjust the IF coil for maximum noise on the
shortwave receiver. Then, use off air stations to set the local oscillator. E.g.; for Sydney check
that 2RDJ (88.1) is receivable at the low end and 2SER (107.3) is receivable a the top end.
Adjust the aerial coil as before.
The easiest way I found to align the aerial and oscillator coils was to use a G.D.O. Simply
ensure that the oscillator coils resonates betwen 110-130 Mc/s while at the same time the aerial
coil resonates at 88-108Mc/s.
First thing evident with a Fremodyne, or any other superregenerative
set on the FM band, is
the whistle audible in the background on some stations. This is a result of the stereo and SCA
subcarriers beating with the quench frequency. It can be annoying or not noticeable depending
on the station. Obviously the problems does not occur when receiving mono stations. It is
important to realise that stereo FM did not exist prior to the 1960's and therefore this problem did not exist with the original Fremodynes. Some improvement can be made by increasing the
quench frequency, by reducing the 150K resistor, at the expense of sensitivity. Also reducing the
.0047uF across the 150K can make a big improvement. Filtering the audio with a notch filter
seems to have some promise, though I have not fully investigated this. Interestingly, this
problem is not evident with Hi-Z phones, probably due to limited bandwidth.
Secondly, sensitivity is poor. At least 100uV of signal is required for good reception. The
original Hazeltine specification was 200uV. So, this is not a set for DX, but will bring in all the
local stations without any problems. An outdoor FM aerial is essential for peak performance - the receiver performing very well for what it is. I don't recommend VHF TV aerials unless they are wideband or cover Ch 3,4, or 5. Even then, the wideband designs, such as log periodics, generally do not have a gain as high as that of a dedicated FM aerial.
Some low power community stations are then receivable. I have even tried the set in a car
powered off a vibrator inverter, and using the existing broadcast aerial. It certainly worked
around Sydney quite well, but I wouldn't recommend replacing the existing car radio with it! An
RF amplifier stage could help in regards to sensitivity. Experiments with a VHF TV distribution
amplifier seemed to indicate potential here.
Where this set really does lead over ordinary superregenerative receivers on FM, is that the
sound quality is superior and remains constant across the band, and with weak and strong
signals. Tuning is also less critical.
For its day, the Fremodyne certainly acheived its aim as a low cost FM receiver of acceptable
quality. These days its practicality is limited to some degree by the addition of subcarriers to FM signals, but where this isn't a problem it makes an interesting and practical receiver.
If the Fremodyne's limitations seem too severe, all is not lost, for there is another kind of simple
FM receiver, possibly even less well known. Sound is true Hi Fi and sensitivity is a few microvolts.
Take a look at the Pulse Counting Receiver.
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