THE LEE VERITAS BEVEL UP JOINTER – A REVIEW

By Derek Cohen

 

The Joynter is made fomewhat longer than the Fore-plane,
and hath its Sole perfectly ftraight from end to end.  Its Office
is to follow the Fore-plane, and to fhoot an edge perfectly ftraight,
and not only an edge, but alfo a Board of any thicknefs;
efpecially when a Joynt is to be fhot.

Joseph Moxon, Mechanick Exercises or the Doctrine of Handy-Works  (1703)

The Promise of the LV Bevel Up Jointer

I won’t disguise the fact that I was excited to receive the Bevel Up Jointer (BUJ) from LV > for feedback and review. Each of their bevel up planes I have had the opportunity to use has proved to be an advance on the handplanes I had been using up to that point.

My user jointer is a Type 11 Stanley #7, which dates to 1910 -1918. It has been tweaked and tuned, and performs about as well as it ever could. This #7 uses a Japanese laminated Smoothcut blade and this is supported by a thick Clifton > two-piece cap iron. I am particularly taken with the blade, which holds an edge for a long time. This #7 is a good plane, however its cutting angle is 45 degrees and, as previously demonstrated, this is not ideal for hardwoods, particularly those with interlinked grain. Working with challenging hardwoods, a constant issue is the avoidance of tearout. When tearout occurs, it is not just the frustration of repairing the damage, but it is especially the need to re-plane a section, and the resultant alteration to the dimensions of the piece.

One of the promises of the BUJ is that it is possible to quickly alter the cutting angle, changing from low angle (37°) to standard angle (45°) or York angle (50°) and, ultimately, a high angle (62°). The only other similar length plane I have used with a high angle bed is the 60° HNT Gordon Trying Plane. This is a terrific plane and one that is certainly capable of taming Australian hardwoods. The downside is, at 18” it is about the same length as a #6. The BUJ is 22” long, the same length as my #7. The BUJ could compete against both the #7 and the #8 since the sole includes an extra 1” between the toe and the mouth.

Hand-in-hand with the ability to alter the cutting angle is the BUJs’ adjustable mouth. In line with the rest of the LV BU range this plane can, with the twist of a knob, rapidly alter from a thick, rank cut to a fine, smoothing cut. This feature, along with the high cutting angle, should translate into tearout-free planing.

A third area of interest lies with the planing action of the BUJ. It is a case of the low bed of the BUJ verses the high frog of the more traditional Stanley. Can one experience the different centres of gravity and, if so, how is it significant?

But wait – there’s more! Two reviews for the price of one!

LV is offering a companion Jointer Fence for the BUJ. This is designed to make it easier to maintain square edges when jointing. It functions in a similar manner to the Stanley #386 Gauge. I thought it would be interesting to compare these two guides, as well as offering a few related ideas that might prove useful in the workshop.

The Bevel Up Jointer Plane

The production of the LV BU Jointer plane completes a three-plane family that comprises the BU Smoother, LA Jack and the BU Jointer. These planes share the same blade size as well as a family resemblance of features, such as an adjustable mouth and bed angle.

Front to back: Bevel Up Jointer, Low Angle Jack, and Bevel Up Smoother.

 

Let us take a look at the specific features offered by the BUJ:

The BUJ …

Set screws on each side hold the blade securely in place

Mouth position and sole length of BUJ (top) and Stanley #7 (bottom) compared

Where twisting the front knob controls the BUS and LAJ, the BUJ uses the brass Toe Locking Knob.

 

In the background ….

I spent about a month becoming familiar with the BUJ before beginning this review. As part of the current investigations I set out to use it in a real world setting, that is, while building a piece of furniture, a sofa table. I thought that it would be an interesting experiment to limit bench planes to just the BUJ since this might provide the opportunity to assess its versatility with regard to cutting angles. In reality this meant no smoother, no block plane, and no jack plane. Since the design I had in mind would involve a few curves, I included a spokeshave (my trusty Stanley #53 in the main, but occasionally also the LV LA Spokeshave – still getting to know this one). In the end I also wound up using a card scraper to smooth some tear out. Illustrations of these in use are included for the sake of continuity.

Now, before anyone begins to anticipate a complete Neanderthal construction, think again. The timber I use is almost always recycled salvage. Typically, it could be ex-roof trusses, beams or floor boards. This sofa table was to be constructed from three old Jarrah floorboards (for the tabletop) and a couple of Blackbutt roof pillars (for the legs and frame). These timbers have hardness ratings of 8.5 kN and 9.5 kN respectively (for comparison, American Douglas Fir has a rating of 3.2 kN). Jarrah is prized amongst cabinetmakers for its red tones and fine figure, while Blackbutt, a straw coloured timber, is tougher than old boots and better known for use as flooring and telephone poles.

The Blackbutt was resawn on my bandsaw, then ripped into lengths on the tablesaw.

Resawing Blackbutt

Ready to go

Investigating the promise

To evaluate the BUJ, it was used alongside my Stanley #7.  Consideration was given to including a #8 as well, but the overall size of the BUJ places it in direct competition with the #7. The BUJ was assessed in two cutting angle configurations. Firstly, it was set up and used with a cutting angle of 45° since this is the standard configuration of the Stanley #7. This was done to determine whether there were differences between the two planes, both in performance and in action, so equalizing the blade cutting angle was necessary. Mouth size was also adjusted to the smallest possible to make fine shavings (since amount of tearout was to be primary area of evaluation).

Secondly, the BUJ was set up with a cutting angle of 62°, the high angle mode that I use with smoothers. The purpose of this was to explore the advantage the BUJ had over the Stanley (that is, could it significantly reduce tearout).

All blades were honed to 8000 (1.2 microns) on King waterstones using a LV Honing Guide Mk II for reliability of bevel angle.

LV Bevel Up Jointer on the left and Stanley #7 on the right.

Stanley #7

 

A breakdown of their features is as follows:

  LV Bevel Up Jointer

Stanley #7 Jointer

Stanley #8 Jointer

Length

22”/559mm

22”/559mm

23 7/8”/ 606mm

Width of blade

2 Ľ ”

2 3/8”

 

Toe to Mouth

7 7/8”/200mm

7 5/16”/185mm

7 7/8”/200mm

Weight

7 ˝ lbs

8  1/8 lbs

 

Bedding Angle

12 degrees

45 degrees

 

 

Setting up the Jointers

Its iron muft be set very fine,
fo fine, that when you wink with one Eye,
and fet that end the ftraight fide of the Iron is next to the other Eye,
there appears a little above an hairs breadth of the edge
above the Superficies of the sole of the Plane,
and the length of the edge muft lie perfectly ftraight
with the flat breadth of the sole of the Plane:
For the iron being then well wedg'd up,
and you working with the Plane thus set, 
have the greater affurance that the Iron cannot run too deep into the Stuff,
and confequently you have the lefs danger that the Joynt is wrought out of ftraight.

Joseph Moxon, Mechanick Exercises or the Doctrine of Handy-Works (1703)

There appear to be two schools of thought when it comes to honing jointer plane blades. The first advocates a slight camber across the bevel, while the other argues for the bevel being straight across its face. I follow the latter approach, believing that the jointer belongs to a group of planes whose primary function is to create a fit. Others in this group include the plough, rabbet (or rebate), dado and fillester. One other reason for honing a straight bevel on the BUJ is that a cambered bevel would prevent the use of the Jointer Fence. More on this later.

Experiencing the BUJ and the Stanley #7

The first factor that strikes one is that the mouth of the BUJ is considerably easier to adjust than that of the Stanley. Loosen the Toe Locking Knob and, together with the Mouth Adjustment Screw Stop, position the mouth at the desired width. It is a simple matter, taking no more than seconds, to open the mouth of the BUJ for a rank cut, then return it to the fine setting. It is relatively easy to maintain the blade positioning through the use of the side set screws.

By contrast, the Stanley style requires the complete removal of the blade to access the Adjustment Screws before the frog can be adjusted. This also results in a considerable amount of time being utilized in re-establishing settings (such as the bevel being square) each time an adjustment is made to the mouth. Once set up, both planes had little difficulty achieving very fine shavings. As mentioned earlier, the Stanley style is my user and I had spent much time tuning it until it could achieve this degree of performance. The BUJ received minimal tuning and, outside of sharpening and positioning the blade, produced a very superior performance right out of the box.

Here are examples of some fine shavings:

BUJ set up for a fine shaving (<.0005”)

Stanley set up for a fine shaving (.0005)

Hefting the planes, it is evident that there is a difference in weight but more noticeably a difference in balance. The BUJ is lighter but lifting the planes by their totes is more comfortable with the Stanley since its tote has greater forward tilt. However, pushing the planes is easier with the BUJ since its weight is sufficient to hold it down without the need for addition downforce. The upright tote is even easier on higher workbenches. With the BUJ there is a sensation of working low down. I am not sure if this is just psychological, but the low bed guides the eye and the vertical tote is then automatically grasped low down. One pushes parallel to the benchtop. The Stanley can only be held high and the push is angled downward. The sensation is of working from a higher position, and this does not “feel” as controlled a movement as with the BUJ.

The picture below shows the angle of the totes.

The Process and Experience of Edge Jointing

The aim was to achieve a fine spring joint, that is, creating a fine sliver of light at the centre when two boards are placed against one another. How fine is big enough? When the boards can be pulled together by moderate clamp pressure alone. A spring joint ensures that the two connecting edges remain tight throughout their lengths. The first step is to attain a flat edge, then remove a shaving from the central portion (beginning and ending at the inside edges of the board). The main difficulty in obtaining a flat edge is when there is a “hump” (i.e. it is convex) at the centre. Even a long plane will ride along and fail to remove this, particularly when the gradient is gentle. In such cases, the first objective is to remove the hump before planing the whole edge. It is helpful to check the length with a straight edge.

Checking flatness with a straight edge

Attempting to join boards by squaring their individual edges is a fool’s errand since it is extremely difficult to attain a perfectly square edge along the entire length of a board. Butt joining two boards is best done by match planing. Clamp the two boards together in a vise and line up their edges. Planing them together creates complementary angles which, when joined together, will produce a perfectly matched surface.

The pictures below illustrate edge planing single boards. The front hand acts as a fence to guide the plane along its centre and to hold it square to the board. As reported earlier, the BUJ provided the better feedback or feel in this regard.

Edge jointing with the BUJ

Edge jointing with the BUJ

Remember to enter the board with downward pressure on the front hand, and exit the board with downward pressure on the rear hand.

Click here for Part Two