This page documents icie's various experiences with the wonderful world of wagashi (traditional Japanese confectionary), where four senses may be indulged. The colours and inspirational designs of wagashi render some of them closer to artworks or icons than anything else. The smell of the blend of fresh natural ingredients invites the observer to closer examination. The unique texture afforded by those same ingredients differ for the sweets, from the Ohigasa's rice-flour-sugar mixture which crumbles and spreads through the mouth, to the contrast of smooth jelly with rice grains in Hanagouri. Lastly, the taste -- the slight malt flavour which emerges and develops from the sweet wasanbon melting on the tongue, the cherry flower sweetness of the Hanagouri, and the sheer indulgence of the embedded chestnuts in the Kurimusiyoukan.
Herein then, is the very essence of the temporary. Just as the intricate and colourful mandalas created from coloured sand must at last be swept away, just as the infinite beauty of the roadside flower must wilt away in the summer sun, so too the intricate beauty of the wagashi must yield to the temporal flow. Made from the freshest ingredients, they may be used as decorations for only so long as the shelf life allows. The sense of sight is only the first layer of the experience of wagashi. Therefore, these photographs which capture the temporary must prove themselves insufficient at long last.
Having ordered the confectionary duly from Minatoya, our protaganist waited for the weekend and the exams to pass before receiving the package via the well-disposed hands of EMS.
The items ordered were: "Assortment long shape sweet in summer" box (consisting of Hanagouri, Taniwakata, and Kurimusiyoukan, all long jelly-type sweets), "Ohigasi" (Summer designs due to season in Japan), and "Four Season Flowers" made from Wasanbon (special grade sugar).
Your protaganist is but a humble amateur archivist of memories. There is no elite photo work involved here. Some photographs (due to archival nature of this work) are pretty mundane. Photo's were taken with timer on a tripod to ensure minimal blurring due to shakey hands. Most do not use flash for battery conservation purposes (:P). Full size photos are 1198 x 1602 resolution and approach 0.5MB each. Please view pictures selectively.
Behold, therefore...
Firstly, Hanagouri (Flower Ice).
Secondly, Kurimusiyoukan (Chestnut).
![]() | When first taken out of box and plastic wrapper. | ![]() | The shiny enclosure removed. Whole chestnuts embedded in the dark koshian jelly. The imagery is that of a sunset. | ![]() | Cut in cross section. |
Lastly, Taniwakata (Young valley leaves).
The wagashi adventure continues...
Doing this experiment and photo archival was NOT cheap. These sweets are VERY perishable (note the expiry dates on the packages), so they must be shipped via EMS. You can be sure that it will get to you quickly, and in good condition though.
The Ohigasa certainly LOOK good, but they have a pretty ordinary taste and texture.
The Wasanbon sweets should be prioritised over the Ohigasa. They are worth the premium.
The Japanese have been long renown for their meticulous (some say over-) packaging, and that is especially true in their treatment of these traditional sweets.
Minatoya is the only place so far which I have found to be accessible to foreigners, not only by having an English section, but also actively encouraging foreign ordering. They are much recommended if you have no other source of wagashi.
The protaganist's sister returned from the orient bearing various Japanese confectionary.