Graham Hawkes builds classical guitars with modern design features. These features create an instrument that produces effortlessly a strong even sound with full deep basses and rich sustained trebles. The design also satisfies demands for a wide range of tonal colours and an instrument that is easy to play. Words however go only part of the way. A CD is available of music recorded by talented guitarist Kathryn Weir playing one of these instruments.
![]() |
These guitars combine the skills of traditional guitar making and modern technology with an added something which is uniquely Australian. The beautiful guitars of Josef Pages and Louis Panormo - two of the leading guitar makers in Spain and England in the 19th century are the source of design for the shape of the head piece and neck.
While the natural resonance of the timber is the basis of the guitar sound, thoughtful use is made of modern products to give each guitar a rich tonal quality (eg. Carbon fibre to re-enforce the sound board).
Many native Australian timbers have the qualities which can produce fine instruments. The guitars shown combine Sheoak, Jarrah and Western Myall to produce rich grain patterns and a full resonance. All timbers are native to Western Australia except for the sound boards which are made from traditional tone woods such as Red Cedar or Spruce.
![]() |
Each guitar is unique in some way. It could have decorations in native timbers or cross cut twigs. Some guitars have decorative motifs inspired by dot paintings of Aboriginal artists. These are created with hundreds of small circular pieces of coloured wood. Great care has been taken in the design and use to respect Aborigines.
The modern design combines best construction practice, local timbers, original decorations and the option of a solution to the problem of string tension.
Features of the design are:-Because the instruments are hand made, there is a rich variety of options from which to choose.
| Options |
| Soundboard of Cedar or Spruce. [Book matched sets available. #] |
"Arm rest" - a raised edge along the bass side of the lower bout which can help reduce contact between the player's arm or sleeve and the sound board. |
| Body with a cutaway. # |
| Left handed. |
| 650 mm or 630 string length. |
| Standard or "Lacote" * bridge. |
# Inquire about supplementary costs. |