Transport to the various concert venues was provided in the main by Ted Parker's truck and not always did the passengers riding on the back arrive at their destination unscathed. Pat Teague remembers badly knocking and bruising her shin one night in 1949 when alighting - not quite the case of 'break a leg' but near enough. A few years later Mavis Hart actually suffered that fate while about to perform at a concert at Maddington, very theatrical indeed.

The 1946 concert party programme indicated that Ivy Parker was just as active in the drama field as ever. During the period 1947 - 1949, a great number of one act plays were produced including, 'The $10 ~ The Jumble Sale', 'The Monkey's Paw', 'Granny's a Hundred' and the melodrama,' Pansy the Mill Girl'. Many of these were entered in the South Suburban Musical and Elocutionary Society Eisteddfods as well as being included in the repertoire of the Concert Party. A full length play, (probably the Society's first,) 'Pearly Pearls' was also produced, in 1947, with a cast consisting of Margaret Bettenay, Phillip Bettenay and Neil Parker.

This play was to be staged again about 6 years later with a different cast, which included Mavis Nicholls, Jack Parkin and Mavis Hart. It was produced not by Ivy, but by her daughter Yvette Green. Excerpts from numerous musicals - royalty costs made full scale productions prohibitive, were basic to the concert programmes developed and selections were taken from shows such as 'Our Miss Gibbs', 'Oklahoma', 'White Horse Inn', 'The Mikado' and 'Showboat'.

In 1951 Mary and Richard Knuckey sailed for England on an extended holiday. The conducting of the choir was carried out apparently by Harry Beard of Armadale. In a letter to her in March he said 'I should much like to attend one evening whilst you are still there, so as to get, the shall we say, atmosphere. I would desire to work on from your standpoint, although I don't expect there will be any real strangeness between the choir and myself'.
In a reply to Mr. Beard from the secretary, Julia Elliot-Smith, he was invited to attend the Choral Society's next practice on Thursday March 29th and as it was to be Mrs. Knuckey's farewell night 'the Society would be pleased to welcome their new conductor at the same time'. Three years later the Knuckeys were to make the trip back to Britain again. Mrs. Elliot-Smith n a letter to Ruth Green, Secretary/Organiser on the South Suburban Musical Elocutionary Society had to inform her of the bad news that 'As Mrs. Knuckey will be sailing for England, and as we have not time to procure another conductor... I have to regretfully inform you the Roleystone Choral Society will not be able to enter an item in the Eisteddfod'..

It is interesting to note that many of the ladies associated with the Society during this period now find it very difficult to recall what was done as a member of the Choral and Dramatic Society with that which was done as part of the activities of the Roleystone branch of the Country Women's Association, (which too was founded in 1933). Mary Knuckey was involved in training a ladies choir for the C.W.A. competitions while Ivy Parker naturally was responsible for producing plays entered in that organisation's annual one act drama festival. The confusion was both disconcerting for informant and recorder alike when trying to unravel the activities of the late 40's and 50's. The close association members of the two organisations had, was exemplified at the send- off Pat Teague received from the Choral and Dramatic Society in 1955. In appreciation of her contribution over the previous 7 years, she was presented with a large silver tray which was engraved:
;'Presented to Mrs C. W. Teague by members of the Roleystone C.W.A. and Choral and Dramatic Society.'
The period 1947 - 1955 was generally a highly productive and active one. Membership was strong and the new members became fully involved and committed. Two new members of the late 40's to have significant influence on the proceedings of the Society over the following years were Irma Barrett and Pat Teague. Their input into the Concert Party was crucial since by 1950 both Curnow Knuckey and Neil Parker had left Roleystone. Irma's 12 years association with the society ended in 1958 and by this time her involvement in the C.W.A. state body was taking up most of her time. About 1952 Mavis Hart became a member and a long and enthusiastic association with the Society began.